Folk Klironomy is a klironomical science of the preservation of oral verbal and musical folk as elements of intangible cultural heritage, which are related to the transfer of virtual images through the creation of oral and harmonic works.

Folk Klironomy is an independent science of the Facile Klironomy direction in the system of the Klironomical Sciences.

1. Cultural anthropology is the science of culture as a set of tangible objects, ideas, values, and behaviors in all forms of its manifestation at all historical stages of its development.
2. Ethnology is a science that studies ethnic processes, which are understood as various aspects of ethnic groups life, as well as other ethnic communities, or is the branch of anthropology that compares and analyzes the characteristics of different peoples and the relationships between them.
3. Philology is a set of sciences that study the culture of the people, expressed in language and literary works, or the study of language in oral and written historical sources; it is the intersection between textual criticism, literary criticism, history, and linguistics.
4. Musicology is the scholarly analysis and research-based study of music, which departments traditionally belong to the humanities, although music research is often more scientific in focus (psychological, sociological, acoustical, neurological, computational).

Historically, folklore is the first artistic (aesthetic) collective creativity of people. Verbal, musical, choreographic and dramatic folk art are an integral part of the spiritual history and culture of society. Consequently, folklore carries a certain historical, cultural, art and philological information code of the previous social eras. The preservation of elements of this segment of intangible heritage is an important part of the reconstruction of a unified picture of the existence of society both at a certain point in history and in temporal changes. Conservation, restoration, renovation and revitalization of such elements of intangible cultural heritage require the creation of certain methods, their improvement, and also the training of individual specialists.

The elements of oral and musical folk art carrying valuable historical and cultural codes of the spiritual component of society, which are enclosed in an intangible shell.

The processes of the preservation of the oral and musical folk art, which are defined as part of the intangible cultural heritage.

The preservation of verbal, musical, choreographic and dramatic folk art as elements of the cultural heritage of society.

1. Analyse the state of individual elements of verbal, musical, choreographic and dramatic folk art for the relevance to include them in the list of intangible cultural heritage and categorize.
2. Describe the state of individual elements of verbal, musical, choreographic and dramatic folk art, defined as part of the intangible cultural heritage for the relevance and restoration work scope.
3. Develop methods of preservation, recovery and reconstruction of individual elements of verbal, musical, choreographic and dramatic folk art as the elements of intangible cultural heritage forming the spiritual image of society.
4. Form a scientific base, conduct scientific and educational activities and prevention of detection and preservation of verbal, musical, choreographic and dramatic folk art as the elements of intangible cultural heritage affecting the spiritual development of society.

1. Preservation of all forms of folklore, which are defined as part of the intangible cultural heritage of society.
2. Preservation of those forms of folklore, which can be defined as part of the intangible heritage of society in the future.
3. Recovery of damaged or partially lost elements of folklore, which are defined as part of intangible cultural heritage.
4. Reconstruction of lost parts of folklore elements, which are defined as part of intangible cultural heritage.