Artistic Klironomy

Artistic Klironomy is an independent science of the Tangible Klironomy direction in the system of the klironomical sciences.

1. Fine arts is art science combining different types of painting, drawing, and sculpture.
2. Chemistry, specifically biochemistry, inorganic chemistry, and environmental chemistry.
3. Physics, specifically mechanics of solids and condensed matter physics.
4. Chemical physics is the science of physical laws governing the structure and transformation of chemicals.
5. Materials Science is an integrated science at the interface of physics and chemistry that studies the internal structure and properties of materials and laws of their changes under the influence of external factors.

Like other types of art, arts and crafts performs a number of important functions: philosophical, cognitive, aesthetic, religious, ideological, social, and educational. Applied arts coexist with plastic arts including architecture, sculpture, and can participate in the formation of artificial and natural environment.

There is a great variety of applied arts: applique, felting, embroidery, knitting, sewing, weaving, pyrography, artistic carving, paintings of straw, stained glass, decoupage, modeling, mosaic, weaving, crafts from matches and sticks, painting, scrapbooking, figure-blende, artistic leather processing, topiary, etc.

Consequently, applied arts carry a multi-vector full-format information code of the previous periods of social development. Preservation of applied art objects is an important element in the reconstruction of a unified picture of the existence of society both at a certain point in history and its changes in the time range. Conservation, recovery and renovation of such cultural heritage items require the creation of certain methods, their improvement, and also the training of individual specialists.

Products of applied arts carrying valuable historical and cultural codes of the spiritual component of society, which are enclosed in a tangible shell.

The process of preservation of the the applied art products, which are identified as part of tangible cultural heritage.

Preservation of applied art products as elements of the tangible cultural heritage of society.

1. Analyse the status of applied art products for the relevance to include them in the list of tangible cultural heritage and categorize.
2. Describe the state of applied art products, which are identified as part of the tangible cultural heritage for the relevance and scope of recovery work.
3. Develop methods of conservation, recovery and reconstruction of applied art products as the elements of tangible cultural heritage forming the spiritual image of society.
4. Form a scientific base, conduct scientific and educational activities and prevention of detection and preservation of applied art products as the elements of tangible cultural heritage affecting the spiritual development of society.

1. Preservation of all techniques for the production of applied arts products, defined as part of the material cultural heritage of society.
2. Preservation of producing techniques of applied art productions, which may be defined as part of the tagible heritage of society in the future.
3. Recovery of damaged or partially lost elements of applied art products, which are defined as part of tangible cultural heritage.
4. Reconstruction of the lost elements of the applied art products, which are defined as part of tangible cultural heritage.