Pictorial Klironomy

Pictorial Klironomy is an independent science of the Tangible Klironomy direction in the system of the klironomical sciences.

1. Fine arts is art science combining different types of painting, drawing, and sculpture.
2. Chemistry, specifically biochemistry, inorganic chemistry, and environmental chemistry.
3. Physics, specifically mechanics of solids and condensed matter physics.
4. Chemical physics is the science of physical laws governing the structure and transformation of chemicals.
5. Materials Science is an integrated science at the interface of physics and chemistry that studies the internal structure and properties of materials and laws of their changes under the influence of external factors.

Like other types of art, painting performs several important functions: philosophical, cognitive, aesthetic, religious, ideological, social, and educational. Painting is adjacent to plastic arts including architecture and sculpture, and can also participate in the formation of artificial and natural environment.

There are five types of painting: easel, monumental, decorative, theatrical-decorative, and miniature. It should be noted that there are many techniques and techniques of painting, such as oil painting, painting on plaster (“fresco” and “a secco”), pastel, acrylic, ink, enamel, spray, tempera, gouache, grittage, grisaille, carnation, glaze, pointillism, sgraffito, sfumato, glue painting, wax painting, painting with ceramic paints, painting with silicate paints, watercolor painting, dry brush, digital, etc.

Consequently, painting carries a multifaceted and fairly complete information code of the previous stages of social development. Preservation of works is an important element in the reconstruction of a unified picture of the existence of society at a certain point in history and its changes in the temporal range. Conservation and restoration of such cultural heritage items requires the creation of certain methods, their improvement, and also the training of individual specialists.

Paintings that carry valuable historical and cultural codes of the spiritual component of society, which are enclosed in a tangible shell.

The processes of paintings preservation, which are defined as part of tangible cultural heritage.

The preservation of paintings as part of the tangible cultural heritage of society.

1. Analyse the status of individual paintings for relevance to include them in the list of tangible cultural heritage and categorize.
2. Describe the state of the art works, which are defined as part of tangible cultural heritage for the relevance and scope of recovery work.
3. Develop methods of conservation, recovery and reconstruction of art works as the elements of tangible cultural heritage forming the spiritual image of society.
4. Form a scientific base, conduct scientific and educational activities and prevention of detection and preservation of paintings as elements of tangible cultural heritage affecting the spiritual development of society.

1. Preservation of all techniques of painting, which are defined as part of the tangible cultural heritage of society.
2. Preservation of techniques of painting, which can be defined as part of the tangible cultural heritage of society in the future.
3. Recovery of damaged or partially lost elements of a painting, which are defined as part of tangible cultural heritage.
4. Reconstruction of lost elements of a painting defined as part of tangible cultural heritage.