Sculptural Klironomy

Sculptural (Plastic) Klironomy is an independent science of the Tangible Klironomy direction in the system of the klironomical sciences.

1. Fine Arts is art science combining different types of painting, drawing and sculpture.
2. Chemistry, specifically biochemistry, inorganic chemistry and environmental chemistry.
3. Physics, specifically mechanics of solids and condensed matter physics.
4. Materials Science is an integrated science at the interface of physics and chemistry that studies the internal structure and properties of materials and laws of their changes under the influence of external factors.

The sculpture has a significant species diversity: three-dimensional sculpture and relief. In turn, the relief is divided into high relief, bas-relief and counter-relief. By definition, the sculpture is monumental, decorative, easel. Monumental sculpture, in turn, is divided into monuments and memorials. Decorative sculpture is used to decorate everyday life. Easel sculpture is designed to decorate the interior.

The main materials used in sculpture are stone, bronze, marble and wood. Sand or ice are used to make some types of sculptures. Also sculptures differ in genres: portrait, historical, mythological, household, symbolic, allegorical, animalistic and etc. Consequently, the sculpture also carries the information code of the previous stages of social development. Its preservation is also an important element in the reconstruction of a unified picture of the existence of society both at a certain point in history and its changes in the time range. Conservation, recovery and renovation of such objects requires the creation of certain methods, their improvement, and also the training of individual specialists.

Sculptures that carry valuable historical and cultural codes of the spiritual component of society, which are enclosed in a tangible shell.

The processes of preservation of sculptural statues, which are defined as part of tangible cultural heritage.

Preservation of sculpture as an element of cultural heritage of society.

1. Analyse the status of individual sculptures and sculptural compositions to include them in the list of cultural heritage and categorize.
2. Describe the status of sculptures and sculptural compositions, which are identified as part of cultural heritage, for relevance and scope of recovery work.
3. Develop methods of preservation, recovery, and reconstruction of sculptures and sculptural compositions as the elements of tangible cultural heritage forming the spiritual image of society.
4. Form a scientific base, conduct scientific and educational activities and prevention of detection and preservation of sculptures and sculptural compositions as the elements of tangible cultural heritage affecting the spiritual development of society.

1. Preservation of all types and genres of sculpture, as well as manufacturing techniques, which are defined as part of the tangible cultural heritage of society.
2. Preservation of those types and genres of sculpture, as well as techniques of production, which can be defined as part of the tangible cultural heritage of society in the future.
3. Recovery of damaged or partially lost elements of a sculpture or sculptural composition, which are defined as part of cultural heritage.
4. Reconstruction of the lost elements of the sculpture or the sculptural composition as part of cultural heritage.